رماد الماء book pdf download

Author: eabd aleaziz barikat sakin

About the Author: Abdulaziz Baraka was born in the city of Kassala in eastern Sudan in 1963 AD. He grew up in the city of Kassala and some mentioned in the city of Khashm al-Qirba near the city of Gedaref. Among his generations, he distinguished himself in his very refined sense of writing novels, which some think are indecent because of the sexual attitudes that it contains. All of them were confiscated according to what was issued by the Federal Council for Literary and Artistic Works in Khartoum. He has many books, such as The Great Country Trilogy and On the Sidewalks (a short story collection), A Woman from Campo Kadis (a short story collection), and many novels, such as Water Ashes and The Husband of a Lead Woman And his beautiful daughter, the novel of the Bedouin lover, and a famous novel entitled “The Imaginary of Al-Khandaris”. Abdelaziz Baraka has worked as a writer in many local, Arab and international periodicals, magazines and newspapers such as Al-Arabi magazine, Al-Naqid magazine in London, Nizwa magazine, Palestinian Studies magazine published in Paris in French, Doha Qatari magazine, Banbal magazine published in English in London, Al-Dustour newspaper of London, magazine Hurriyat and others. He is also a member of the Sudanese Story Club and a member of the Sudanese Writers Union, and participated in some Arab and international events such as the Janadriyah Festival in Saudi Arabia, the second short story festival in Amman, a book workshop under war in Brussels, and the Arts event as a gateway to politics in Vienna – Austria In which the Higher Technical Institute in Salvden Salzburg, Austria, decided to teach his novel (Ikhilat Al-Khandis) to male and female students. Dr. Ishraqa Mustafa translated the novel into German and published by the Afro-Asian Center in Vienna in 2011. He received the Tayeb Salih Prize for the novel for his novel “Ginko Nails of the Earth” in 2009.

رماد الماء book pdf download By eabd aleaziz barikat sakin

«السودان» بلادٌ لطالما ضمت أنسابًا وأديانًا وأعراقًا عدة، إلى أن قصمت الحرب ظهرها، وأعادت الندوب تشكيل خريطتها. بلادٌ يسكنها زخمٌ من التفاصيل، ويَنبت في شُرُفات بيوتها الأمل برغم السَّقَم، تلُفُّها الأسطورة، ويقطر من سمائها الحَكْي فوق رءوس الخلائق. أربع روايات تحت عنوان «ثلاثية البلاد الكبيرة والعاشق البدوي»، يأخذنا «عبد العزيز بركة ساكن» خلالها في رحلة إلى بلاده الكبيرة، يُطلعنا على خباياها، يُسمعنا أنين أهلها وأرضها، ويتركنا في حنين إلى البشرة السمراء والأعين الغائرة. نتساءل: كيف الفرار إن سُلِّمت آلة الحرب الطاحنة إلى غاضب أعمى؟ يغدو الهدم حينها أقلَّ الكوارث وطأة، فالقتل المجاني يطلُّ بشبحه على الجميع. «الحرب الأهلية» مصطلحٌ يمرُّ كمعلومة عابرة وسط الحكي، دون أن يعي قائله مدى بشاعة التقاتل بين أبناء أرض واحدة، كان لهم ذات يومٍ حلم مشترك وأمل واحد في الحياة في محيطٍ آمنٍ لا أكثر. «السلم هو جثة الحرب»؛ هكذا يفتتح الكاتب هذا الجزء من «ثلاثية البلاد الكبيرة والعاشق البدوي»، الذي يتركنا فيه لنعايش ما كان من ويلات وفظائع التقاتل الأهلي بأحراش «جنوب السودان» وقراه ومدنه قبل انفصاله، تأخذنا المشهديَّة المتقنة لنشاهد ما حدث رأي العين، نُحمَّل بالحقائق صادمةً عارية، ولا ننخدع بالسلام الذي كان ثمنه «الموت البارد».

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